Capture One Pro 20 was launched recently, with improvements to the Basic Color Editor, noise reduction, and other tools and features. It offers improved DNG support and has added functionality with several cameras. If you’ve been thinking of switching from Adobe Lightroom to Capture One Pro, now may be the time.
Capture One Pro color grading tools are unparalleled and the ability to work in Layers gives you more options in your workflow.
If you’re nervous about the learning curve associated with yet another piece of software, don’t worry – knowing Lightroom will give you a great foundation for learning Capture One Pro.
The two programs basically work the same in that they allow you to make edits non-destructively by saving them in a database and keeping track where the images are stored.
Here are ten tips that will help you when switching from Lightroom to Capture One Pro.
The fact that you can migrate your Lightroom catalog into Capture One Pro is a great nudge to make the switch. It’s a simple process that involves only a few quick steps.
Migrating will not have an impact on your Lightroom catalog, and you can continue to use it as you normally would.
One thing to note is that while edits such as Exposure, Highlights, Shadows, White Balance and Rotation will be imported seamlessly, every single adjustment might not translate. This is often the case with some color settings.
For a step-by-step guide on how to migrate your Lightroom Catalog into COP, go here.
There is a big difference between the Lightroom and Capture One Pro interface.
While Lightroom has separate tabs for the various workspaces such as the Library and Develop modules, Capture One has an all-in-one workspace. Instead of jumping around from module to module for specific functions, all of the tools in Capture One (COP) are at your fingertips.
The various panels in COP are called Tools. They are organized under various Tabs.
One awesome feature is that you can actually mimic the Lightroom workspace until you familiarize yourself with the program and decide how you want your workspace to look.
To do this, simply go to Window->Workspace->Migration.
The key to getting the most out of Capture One Pro’s awesome functionality is to customize your tools. The tools in COP are highly customizable, which is another bonus to switching from Lightroom.
You can move the tools around and you can set up a Tab containing only the tools you regularly use.
For example, you can move your White Balance Tool to the Exposure panel, similar to how it’s set up in Lightroom.
Right-click on the Tab to add a tool or remove it. You can also float your tools by dragging them onto the image itself.
Capture One offers two management systems: Catalogs and Sessions. Both have their pros and cons.
As far as organization goes, a COP Catalog is similar to a Lightroom Catalog. Think of Sessions as being similar to Lightroom Collections, but with additional functionality.
Catalogs are most suitable for organizing large volumes of images, whereas Sessions are used for individual shoots.
Sessions provide a simple, folder-based workflow. They give you the ability to browse any folder on your computer without having to import images. Your adjustments are placed in a subfolder next to the images.
Sessions are great for on-set workflow and tethered shooting, and are generally seen as the more efficient option. Sessions allow you to store all the files from a single project together.
Once you have migrated your Lightroom Catalog into COP, you can build and structure your photos into sessions if you choose.
When you create a new Session, Capture One creates five folders on your hard drive. It creates a main folder with the name of your session. This folder contains the following:
Any images that you delete during your COP session will go into Trash, but won’t be deleted from your disk until you physically delete them from this folder.
I use both Catalogs and Sessions. My recommendation is to use Catalogs based on genre.
Or if you shoot only in one or two genres like I do, you might want to separate commercial work form editorial work, stock photography, or personal photos, for example. Create an organizational system that works for you.
Many photographers who make the switch from Lightroom to Capture One Pro say that the color quality is unparalleled by any RAW editor out there, especially when it comes to natural-looking skin tones. In fact, it has its own editor for skin tones.
If you’re used to the HSL sliders in Lightroom, the color tools are an area that will feel very new to you and may require some getting used to.
You can use the Color Editor with masks. It’s split into three tabs: Basic, Advanced, and Skin Tone.
The Basic Tab is divided into eight color ranges, represented by a color wheel, and one that encompasses the whole spectrum. Here you can use sliders that affect Hue, Saturation, and Lightness.
To work on a certain color, click on the Eyedropper Tool and then click on the color in your image you want to edit. Sliding vertically on the area will affect the Saturation. Sliding horizontally affects the Hue.
In my image below, I worked individually on the oranges without altering anything else. This comes in handy when you’re working on a photo with various hues of the same color, by helping you target only those colors you want to alter.
One of the best features that Capture One Pro has to offer is the ability to work in Layers.
These layers are similar to the layers in Photoshop in that they work with masks, but they function like targeted adjustments in Lightroom.
Masks determine where on the layer your adjustments will be applied. You can create masks in multiple ways. For example, you can brush them in, just like with the Adjustment Brush in Lightroom.
Click on the brush and paint over the area you want to work on. By default, the area will be indicated in red. It will only show up when you’re painting unless you hit the shortcut “M” to keep it on permanently.
You can use the shortcut key “E” to erase any areas that you want to subtract.
You can make changes to exposure, contrast, clarity, saturation etc.
Be sure to name each layer when working with multiple layers to keep track of the various edits you’ve made to your image.
To do this double-click on the Layer name and type in a new name.
Are you used to working with Presets? Capture One Pro offers the same capability – another reason not to hesitate about switching from Lightroom.
What you know as a Preset in Lightroom is called a Style in Capture One Pro.
Capture One Pro also has “presets,” but they include only one Tool and are accessible from within that Tool. Styles contains several Tools to create a pre-determined look.
The same way you can purchase presets from various third-parties, you can also purchase Styles from Capture One Pro/Phase One.
To test out some free sample Styles, go to this link from Capture One Pro.
You can copy your adjustments from one image to another, just like you can in Lightroom.
Go to the upper-right-hand corner of the interface and click on the arrow up icon.
Click the arrow down icon to paste them to your images.
Process Recipes are similar to Export presets, but you can select several at one time. Once you set them up, they can make your workflow a lot quicker and more efficient. No more tinkering with dialog boxes!
Each recipe includes the output file format information and location information. There are also options for watermarking, metadata, and sharpening, etc.
You can create a specific process recipe for images that you want to export for social media use, with lower resolution and optimal pixel dimensions for social sharing.
Or you can create a recipe for printing your images for your portfolio or for postcards to send as promotional pieces. You can even export multiple recipes at the same time by checking off their respective checkboxes.
You can find Process Recipes under the Output Tool Tab noted with green in the screenshot below.
Note that COP has created some Process recipes to get you started.
To create a new Process Recipe, click on the arrow in the lower right-hand side of the panel. Rename it with any name you like – for example, “Instagram.”
It will give you all the options for exporting the photo, as seen in the first picture, including the Output Location and Output Naming conventions.
One of the best things about switching from Lightroom to Capture One Pro is the outstanding tethering ability.
Although Lightroom has improved its tethering capabilities in the last couple of years, it’s still buggy and has a tendency to crash. COP leads the way in tethering in the photographic industry with its instant tethered capture technology.
With tethered capture in Lightroom, your camera also goes to sleep when you’re not using it. This is a massive pain if you’re working in a studio with a client. COP stays open as long as you keep the tethering session open.
You can also use Live View and Layout Overlays. This is really handy if you’re shooting a magazine cover or product packaging where you have to work around the placement of text.
Lightroom doesn’t have Live View functionality unless it’s paired with camera proprietary software, such as Canon EOS Utility. Capture One Pro, on the other hand, allows you to use Live View with natural light or strobes at the click of a button.
Hopefully, these tips have given you a better idea of how easy it is to make the switch from Lightroom to Capture One pro.
Only you can decide which RAW editor is for you. However, with its reputation for color quality, all-in-one workspace, and tons of ways to keep you organized and make an efficient workflow, Capture One Pro is totally worth checking out.
You can try a 30-day free trial to help you decide.